Writing in General and the Short Story in Particular (0618082344) - Reviews and Prices

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Writing in General and the Short Story in Particular

Author: L. Rust Hills
Binding: Paperback
ISBN: 0618082344
Availability: Usually ships in 24 hours

$3.80


Features:

  • ISBN13: 9780618082346
  • Condition: USED - VERY GOOD
  • Notes:
 

Writing in General and the Short Story in Particular

Writing in General and the Short Story in Particular
by: L. Rust Hills


Editorial Review:

Here is a practical guide to writing short stories that explains all the essential techniques of fiction - from character and plot to flashback and foreshadowing - in a way that is both understandable and useful to the beginning writer. Long considered a classic in the field, WRITING IN GENERAL is the product of a lifetime of reflection by one of our best literary minds.

"There are now not enough commercial magazines regularly publishing literary fiction to count on the fingers of a single hand," says Rust Hills. So why bother writing literary short stories, or books about doing so? Because, says Hills, a longtime fiction editor at Esquire, "what young writers want to write, or ought to want to write, is literature." In Writing in General and the Short Story in Particular, Hills examines "the essential techniques of fiction and how they function." The short story is a tricky form, with no margin for error: "The successful contemporary short story," says Hills, "will demonstrate a more harmonious relationship of all its aspects than will any other literary art form, excepting perhaps lyric poetry." Many of the fictional elements discussed in this book will not be new to most fiction writers. We know that stories must have beginnings, middles, and ends; we know about epiphany and suspense and stock characters. But Hills claims that much of how we look at fiction derives from drama theory and from the formulas of "slick fiction" (fiction that once served the purpose mindless television now serves). Learned but not pedantic, Hills addresses these elements strictly in terms of literary short fiction.

An interesting side note here is Hills's discussion of the shift in support for American writers. "It is no longer the book publishers and magazines," he says, "but rather the colleges and universities that ... provide the major financial support for the great majority of American writers today." Given that, we might find it odd that this book comes from a man best known for his magazine editing. But we shouldn't. "Teaching fiction writing and editing magazine fiction have ... the same rather odd ultimate purpose in common: trying to get someone else to produce a fine short story." One caveat emptor: our copy of this edition fell quite apart upon our first, gentle reading of it. --Jane Steinberg

Customer Reviews:

Avg. Customer Rating: 4.0 / 5.0

Bits of good info in a sea of rambling:

As an editor, not a writer, Hills brings an unusual perspective to the subject. Sadly, he's quite a rambler and I occasionally found his style to be impenetrable. (Dare I say an editor needed an editor?)
There are some good thought provoking bits throughout the book, but they are weighed down by a disproportionate (and evenly distributed) amount of needless chatter and reiteration. The sections are pleasingly short (generally 2-4 pages) but many of them could have been even shorter. In some cases, I... more info

Finally, a book on plot:

Written for short story writers, this literary book gave me a lot to think about. There are many good writing guides on description, character, dialogue, etc., but none had addressed my struggles with plot. Originally published in 1977.

Disparaging cynicism:

Writing in General and the Short Story in Particular' is directed at writers rather than readers. Yet in the introduction, Hills says "Everyone seems to know that, even those thousands all across the country sitting in creative writing workshops right this minute, either being paid to do the impossible or paying to have it done to them." (P. Viii).
This sentence is typical of Rust's writing. It is riddled with long, meandering sentences, that often start with 'And' or 'But', have parenthesis in the... more info

Best in field:

Once read, twice read, an aspiring writer of short stories (or other) will not be needing another how-to book of its ilk.


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