Limited Inc. is a major work in the philosophy of language by the celebrated French thinker Jacques Derrida. The book's two essays, 'Limited Inc.' and 'Signature Event Context, ' constitute key statements of the Derridean theory of deconstruction. They are perhaps the clearest exposition to be found of Derrida's most controversial idea.
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Avg. Customer Rating: 4.0 / 5.0
Derrida on Speech-Act Theory:
This is Derrida's critique of speech-act theory. The importance of Speech-act theory for linguistics is that it seems to advance beyond referential theories of language by focusing on what language actually does in specific pragmatic contexts. LIMITED INC serves as one of the most concise and clear versions of Derrida's notoriously difficult philosophy or method. Derrida's basic thesis is about language, so this book goes to the heart of his deconstructive project. In essence, he argues that we can never... more info
Clearly Put:
"Limited Inc." is made up of three sections: "Speech Event Context" as the core (or intro?), "A,B,C..." as a responce to Searl's rediculousness/seriousness, and a last section of which i cannot remember the name but worth the read. "Limited Inc." is worth is weight in gold alone in Speech Event Context, as it is Derrida at his most clear and concise, a refreshing change. It discusses the concept of iritability and in many ways sums up much of Derrida's work in writing. "A,B,C.." however go to clear up... more info
Who's serious?:
"Let's be serious" Derrida writes. Then four paragraphs later he writes it again. Then several pages later again. What is the effect of this textual trope? It gives the reader the feeling that what Derrida has been writing, reasoning and arguing up to that point has not been "serious". And that means, it can't be philosophy, for philosophy concerns "serious" issues right? But all the while, Derrida continues to address important questions and "serious" arguments put forth by "serious" philosopher John... more info
Entertaining:
Anyone interested in the philosophy of language will find Derrida's deconstructionist take on J.L. Austin's "How to Do Things With Words" quite interesting, and, at times, enlightening. But the real fun in this book is when Derrida begins to attack John Searle's response to Derrida's take on Austin. He takes off his gloves and really goes after him and if anything, you'll be left questioning your assumptions about the maturity levels of renowned academics.
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